Thomas DePasquale's Translations Published in Paradigms of Renaissance Grotesques

Thomas DePasquale's translations of a series of letters on painting written by the sixteenth-century Italian scientist Ulisse Aldrovandi were published in Paradigms of Renaissance Grotesques

Last fall, in conjunction with The Renaissance Nude, a recent exhibition at the J.P. Getty Museum in Los Angeles, DePasquale’s 2018 essay, “Michelangelo’s Last Judgment and the Reception of the Nude in Counter-Reformation Italy” was published in a volume of studies. DePasquale also helped organize the Getty exhibition. 

Related Content